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Schinkel was born in Neuruppin, Margraviate of Brandenburg. Aged six, his father died in Neuruppin’s disastrous fire. He became a student of architect Friedrich Gilly (1772–1800) the two became close friends and his father, David Gilly, in Berlin. After returning to Berlin from his first trip to Italy in 1805, he started to earn his living as a painter. Working [...]

Schinkel was born in Neuruppin, Margraviate of Brandenburg. Aged six, his father died in Neuruppin’s disastrous fire. He became a student of architect Friedrich Gilly (1772–1800) the two became close friends and his father, David Gilly, in Berlin. After returning to Berlin from his first trip to Italy in 1805, he started to earn his living as a painter. Working for the stage he created in 1816 a star-spangled backdrop for the appearance of the “Königin der Nacht” in Wolfgang Amadeus Mozart’s opera The Magic Flute, which is even quoted in modern productions of this perennial piece. When he saw Caspar David Friedrich‘s painting Wanderer above the Sea of Fog at the 1810 Berlin art exhibition he decided that he would never reach such mastery of painting and turned to architecture. After Napoleon’s defeat, Schinkel oversaw the Prussian Building Commission. In this position, he was not only responsible for reshaping the still relatively unspectacular city of Berlin into a representative capital for Prussia, but also oversaw projects in the expanded Prussian territories from the Rhineland in the west to Königsberg in the east.

From 1808 to 1817 Schinkel renovated and reconstructed Schloss Rosenau, Coburg, in the Gothic Revival style. Schinkel’s style, in his most productive period, is defined by a turn to Greek rather than Imperial Roman architecture, an attempt to turn away from the style that was linked to the recent French occupiers. (Thus, he is a noted proponent of the Greek Revival.) His most famous buildings are found in and around Berlin. These include Neue Wache (1816–1818), the Schauspielhaus (1819–1821) at the Gendarmenmarkt, which replaced the earlier theater that was destroyed by fire in 1817, and the Altes Museum on Museum Island (1823–1830).

Later, Schinkel moved away from classicism altogether, embracing the Neo-Gothic in his Friedrichswerder Church (1824–1831). Schinkel’s Bauakademie (1832–1836), his most innovative building, eschewed historicist conventions and seemed to point the way to a clean-lined “modernist” architecture that would become prominent in Germany only toward the beginning of the 20th century.

Schinkel died in Berlin, Province of Brandenburg.

Wikipedia, "Karl Friedrich Schinkel"